What is resist technique

Skip to content Home Research Paper What is resist technique in textile design? Research Paper. Ben Davis April 1, What is resist technique in textile design? What is the traditional colors used in Javanese batik? What is Java batik? What is used to resist the dye on the fabric? How do you make dye resistant? What is Shibori technique? Is a technique of wax resist dyeing applied to whole cloth?

How do you salt dye fabric? What salt do you use to dye clothes? Do I need dye fixative? How much vinegar do you use to set color in fabric? Can I put vinegar in my colored clothes? After dyeing and removal of the resist substance, the pattern is revealed in the original fabric colour. This process can be repeated several times. Wax or grease can also be used as a resist in pottery, to keep some areas free from a ceramic glaze; the wax burns away when the piece is fired.

Song dynasty Jizhou ware used paper cut-outs and leaves as resists or stencils under glaze to create patterns. Other uses of resists in pottery work with slip or paints, and a whole range of modern materials used as resists. A range of similar techniques can be used in watercolour and other forms of painting. While these artistic techniques stretch back centuries, a range of new applications of the resist principle have recently developed in microelectronics and nanotechnology. A fixed resist pre-shaped with the pattern is often called a stencil, or in some contexts a frisket.

Various methods are used to mark out a pattern on the fabric before tying. In one of the most traditional methods, now used less frequently, the dampened fabric is placed over a pattern block of raised pins. The cloth is pinched between the thumb and index finger at each point and tied with waxed thread. Another way is to block-print the design of dots using a medium that washes out in water, such as soot or red ochre. Sometimes a thin sheet of plastic pierced by holes is placed over the fabric and the fugitive solution spread over it.

This leaves a pattern of small dots on the fabric. It is also possible to roughly mark out the pattern and tie by eye. The ties are often not removed before the cloth is sold, to show that it has been hand-dyed and not mechanically printed.

Fine cloth such as muslin is folded concertina-fashion and tied tightly at intervals. It is dipped quickly in dye of a pale colour. Some areas are then unrolled and the process is repeated with progressively darker dyes, to build up a range of colours in stripes.

It is the unwoven warp or weft yarns that are tied and dyed so when the cloth is woven the pattern emerges from the pre-dyed threads.

The earliest batiks were monochrome patterns against an indigo background, but multicoloured ones were produced from the 18th century onwards using methods learnt from expert Muslim dyers in India. Typical patterns represented ancient symbolic designs in complex, symmetrical, intertwining layouts, and reflected the social class of the owner through their level of intricacy.